There are no act breaks aside from the post-credit tag, so it’s formatted like a thirty-minute short film. In Episode 8, Previously On, written by Laura Donney, it’s indicated on the title page that the style of the episode is Marvel Cinematic. Schaeffer follows the act structures of shows like Leave It to Beaver and I Love Lucy, which is a main title (complete with theme song), two acts, and a tag that shatters the reality of everything you just watched. The pilot of WandaVision, written by showrunner Jac Schaeffer, is written in the style of a 1950s black & white multicam sitcom, as indicated on the title page. And in order to truthfully convey the weight of those things, we also had to portray the hard images…I felt like if we started in a place where you understood the realities of the institution of slavery, then you understand what’s at stake, when the promised land is reached, just how beautiful that must’ve felt.” Download the script “Through all the brutality and degradation, these people managed to preserve moments of joy, of ecstasy, of beauty. The characters’ journeys rise from that low point as they push forward on their exodus to freedom. The world they’re escaping from is a stark reality from the world that they are escaping to. The series captures the emotional journey of the characters as we meet them at their low point. ![]() ![]() ![]() Their passion for the story is evident in the words on the page. The script, written by Jenkins & Jacqueline Hoyt, delivers prose that paints visual poetry, complete with a dreamy magical realism that blends perfectly with historical fiction like an old spiritual. Created and directed by Barry Jenkins, the mini-series is an adaptation of Colson Whitehead’s novel.
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